Mrs. J.E. Band with pet rabbit, Washington, D.C., 1911 (Harris Ewing Collection). Source: Shorpy.
Washington Post, Oct 31, 1911:
It is the latest fad in the pet line, and its owner, Mrs. J.E. Band, calls it 'Bunny'. It's not a common rabbit; it's an angora, with the most attractive long white hair imaginable.
Mrs. Band is very proud of her pet. She has had Bunny since it was 3 weeks old. She says Bunny is very sagacious. She certainly is as full of little tricks as a dog can be. She protests with funny little grunts - the only sound she is able to make - if she finds that her mistress is going out without her. She wakes people up in the morning when she thinks they have slept long enough of or is tired of her own society. She stands on her hind legs and begs when her mistress or Mr. Band has anything that she wants.
As for Mr. Band, he is a busy man, but does not dare come home in the evening without something in his pocket for Bunny. She expects it, and goes through his pockets looking for it, and he says he can't stand the reproach in her ruby eyes if he has in the press of business forgotten her. He simply has to go out and get something for her ladyship.
Mrs. Band finds Bunny a much more practical pet then either a dog or cat. Landlords don't object, because Bunny makes no noise and never loiters around the halls. Everybody in the big apartment building is interested in the unusual pet and nobody is afraid of it. There is no license to be paid on it.
Pieter de Hooch (or Hoogh, Hooghe) (1629-1684) was a Dutch Golden Age painter famous for his quiet domestic scenes with a few figures. In the background there a canal with a second woman can be seen, possibly the boy’s mother. Originally a girl reading a book sat in the doorway, but she was painted out in favour of the lady and the boy, who leads the eye to the doorway. Purchased by Richard Seymour-Conway, 4th Marquess of Hertford for his collection c. 1865.
possible self-portrait of Pieter de Hooch (Rijksmuseum Amsterdam)
The Champs-Elysees photographed from the Porte Maillot (Alinari Archives/Corbis)
On 28 January 1871 Paris surrendered to the Prussians ending the Franco-Prussian war. Paris, under siege for over four months, had been heavily bombarded. This photograph, with the Arc de Triomphe in the distance, shows the destruction along the Champs-Elysees. The exact date is unknown, but it is thought to have been taken during the Paris Commune in March 1871.