Friday, November 26, 2010
Wednesday, November 24, 2010
Monday, November 22, 2010
Matthias Withoos (Amersfoort, 1627 – Hoorn, 1703): Vanity of Vanities. A lot of his paintings have a vanitas motif. Vanitas is the Latin word for ‘emptiness’. It corresponds to the meaninglessness of earthly life. Common symbolic motives in vanitas paintings are among others skulls and flowers; they show the passage of time.
Friday, November 19, 2010
Wednesday, November 17, 2010
Monday, November 15, 2010
Friday, November 12, 2010
Tuesday, November 9, 2010
Jerome Bonaparte (1784-1860) was the youngest brother of Napoleon. First he married the beautiful Elizabeth Patterson, but this marriage was annulled by Napoleon. Their descendants still live under the name Bonaparte in the US.
He was made king of
When his nephew, Prince Louis Napoleon, became President of the
Thursday, November 4, 2010
Roger Fenton, The valley of the shadow of death (1855). Dirt road in ravine scattered with cannonballs.
This is one of the most famous photos of the Crimean War. During the Battle of Balaclava, The Charge of the Light Brigade was fought here. Across a desolate and featureless landscape, not a single figure can be found. The landscape is inhabited only by cannonballs, so plentiful that they first appear to be rocks, that stand in for the human casualties on the battlefield.
Roger Fenton wrote: 'in coming to a ravine called the valley of death, the sight passed all imagination: round shot and shell lay like a stream at the bottom of the hollow all the way down, you could not walk without treading upon them'.
Borrowing from the Twenty-third Psalm of the Bible, the Valley of Death was named by British soldiers who came under constant shelling there. Fenton traveled to the dangerous ravine twice, and on his second visit he made two exposures. Fenton wrote that he had intended to move in closer at the site. But danger forced him to retreat back up the road, where he created this image.